Named after a Brazilian word for “indigenous children,” hailing from Spanish and Japanese ancestry, and rhyming and scheming in Portuguese, Luciano Nakata Albuquerque has dazzled since his 2005 hybrid-funk debut “Achados e Perdidos” dropped with the help of Blackalicious’ Chief Xcel. That DJ evidently liked what he heard, and bankrolled this sophomore effort, which is easily one of hip-hop’s finest releases of 2008. That is, if you consider a mash of samba, funk, soul, rap, jazz and bossa nova to be hip-hop.
“Japan Pop Show” displays skill on every level. The dance-floor grind of “Magrela Fever” might be the best club banger of the year. The title track is a psychedelic recombination of David Axelrod and Os Mutantes’ funky genes, and the subtle spacetracking of “Mistério Stereo” is as accessible for indie heads as it is for soul old-schoolers. Curumin’s classical training on percussion and keyboards has paid off heavily, especially on the instrumental groove of “Fu Manchu” and jazz and dub explorations of “Salto No Vácuo Com Joelhada” and “Saída Bangú.” It is, literally, all good.
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